{"id":37,"date":"2026-04-28T23:19:30","date_gmt":"2026-04-28T23:19:30","guid":{"rendered":"https:\/\/aljaazeera.org\/?p=37"},"modified":"2026-04-28T23:19:31","modified_gmt":"2026-04-28T23:19:31","slug":"the-devil-wears-old-navy-inside-hollywoods-favorite-movie-marketing-blitz","status":"publish","type":"post","link":"https:\/\/aljaazeera.org\/?p=37","title":{"rendered":"The devil wears Old Navy? Inside Hollywood\u2019s favorite movie marketing blitz"},"content":{"rendered":"\n<p>What would Miranda Priestly say about being associated with a pair of drug store nail clippers?<\/p>\n\n\n\n<p>Ahead of the release of&nbsp;<a href=\"https:\/\/www.cnn.com\/entertainment-showbiz-hollywood-movies-the-devil-wears-prada-2-meryl-streep-anne-hathaway-emily-blunt-stanley-tucci\">\u201cThe Devil Wears Prada 2,\u201d<\/a>&nbsp;grooming company Tweezerman launched a limited-edition collection of tweezers, nail clippers and nail files in a licensing partnership with the film to promote the hotly anticipated sequel.<\/p>\n\n\n\n<p>Miranda, who embodies what it means to live at the unattainable top of the luxury fashion food chain, would never.<\/p>\n\n\n\n<p>From the outside, yes, the brand collab-heavy roll-out around \u201cThe Devil Wears Prada 2\u2019s\u201d has seemed like a lot \u2013 branded Diet Coke packs, Starbucks commercials, special Smartwater bottles and lots of things that don\u2019t involve beverages. Some of those partnerships have seemed like the antithesis of the chic vibe that\u2019s been the film\u2019s hallmark since 2006.<\/p>\n\n\n\n<p>But, like a lumpy blue sweater that wants its cerulean origins to be told, there\u2019s more to the story.<\/p>\n\n\n\n<p>First, it\u2019s important to understand the difference between official collaborations and licensing deals. In an official capacity, the movie paired with: L\u2019Oreal Paris, Smartwater, Diet Coke, Starbucks, Samsung Galaxy, Lanc\u00f4me, TRESemm\u00e9, Havaianas, Grey Goose, Google, Mercedes Benz, Tiffany &amp; Co., Dior and Valentino fragrance.<\/p>\n\n\n\n<p>Meanwhile, many other brands entered into licensing partnerships with the studio, including Walmart, Tangle Teezer, Old Navy, Lulus and Tweezerman, which is why you\u2019re seeing the \u201cDevil Wears Prada 2\u2019s\u201d logo on a pair of nail clippers.<\/p>\n\n\n\n<p>On the official side of things, Lylle Breier, EVP of partnerships, promotions, synergy and events at Disney, told CNN the studio\u2019s aim was to curate a campaign that felt \u201clike a fashion collection,\u201d something that made sense together but had unique qualities, too.<\/p>\n\n\n\n<p>Major motion pictures partnering with brands to promote movies is the norm now, a practice that has evolved as quickly as technology has since the iPhone was invented in 2007, which can sometimes feel like an attack on your nervous system.<\/p>\n\n\n\n<p>It\u2019s become a lot less about producing collector\u2019s edition action figures for McDonald\u2019s Happy Meals and more about creating a cultural moment \u2013 a phrase that came up a lot when Breier discussed their strategy for the sequel \u2013 to sustain a movie\u2019s lifespan in the conversation.<\/p>\n\n\n\n<p>\u201cBarbie\u201d \u2013 which, to be fair, was a movie about a toy \u2013 proved that there was very little in the way of collabs movies couldn\u2019t at least try to make work. See: the \u201cBarbie\u201d-themed candle that aimed to capture what one candle executive&nbsp;<a href=\"https:\/\/www.modernretail.co\/marketing\/theres-barbie-fever-and-people-are-catching-it-how-barbie-collaborations-took-over-retail-marketing\/\" target=\"_blank\" rel=\"noreferrer noopener\">called<\/a>&nbsp;a \u201cnew doll smell.\u201d (\u201cBarbie\u201d was produced by Warner Bros., which shares a parent company with CNN.)<\/p>\n\n\n\n<p>Riding that pink tailwind came \u201cWicked,\u201d which partnered with&nbsp;<a href=\"https:\/\/www.nbcuniversal.com\/article\/how-wicked-good-became-global-collaboration-story\" target=\"_blank\" rel=\"noreferrer noopener\">over 400 brands<\/a>&nbsp;in licensing deals, including Elphaba-inspired Crocs and green-colored macaroni and cheese.<\/p>\n\n\n\n<p>More recently, the orange-drenched marketing strategy for Oscar-nominated movie \u201cMarty Supreme\u201d promoted pricey windbreakers and sneakers with the film\u2019s title splashed across it. It also promoted a smattering of bright orange table tennis supplies, including a nearly $1,000 table tennis table in a collab with Joola.<\/p>\n\n\n\n<p>Television shows can fall victim to the oversaturation, too. CB2 offered up \u201cThe White Lotus\u201d-themed plate sets and Compartes sold exotic chocolate. Of course, those were at least products you might find at a fancy, murder-prone resort.<\/p>\n\n\n\n<p>Marketing campaigns \u2013 however overstimulating they may seem \u2013 help studios spread the word about a movie so people will go see it, and when people see movies, the studios make money so they can make more movies.<\/p>\n\n\n\n<p>Alison Bring\u00e9, CMO at Launchmetrics, a data and technology company that helps fashion, beauty and lifestyle brands grow their business, told CNN that the numbers don\u2019t lie: The \u201cBarbie\u201d movie\u2019s collaboration with Zara generated $11 million in media impact value, a term created by Launchmetrics that helps the marketing industry professionals understand the monetary value of digital marketing. \u201cWicked\u2019s\u201d partnership with star Ariana Grande\u2019s cosmetic company r.e.m. beauty drove $15 million media impact value, according to the firm.<\/p>\n\n\n\n<p>For both the film studios and the brands who are the financial beneficiaries of these deals, these partnerships are win-win situations, Bring\u00e9 said, in that \u201cthey\u2019re central drivers of how a film reaches new audiences and converts cultural attention into commercial momentum.\u201d<\/p>\n\n\n\n<p>What does all that mean? Where does that money go? It\u2019s hard to be specific but one thing is true: consumers are the ones forking over the money.<\/p>\n\n\n\n<p>It\u2019s been 20 years since audiences first met Hathaway\u2019s Andy Sachs, a college grad who clomps her way in sensible shoes through the halls of Runway Magazine as she navigates an out-of-character job as an assistant to the most powerful woman in fashion, the titular devil played by Meryl Streep.<\/p>\n\n\n\n<p>Streep earned an Oscar nomination for her performance as the icy editor and the film earned more than $326 million worldwide at the box office, a sizable success for a film with a $35 million budget.<\/p>\n\n\n\n<p>The sequel centers on Miranda struggling to keep up with her former assistant Emily Charlton (Blunt), who is now a rival executive, while navigating a fraught print industry and mulling over retirement.<\/p>\n\n\n\n<p>The brands that the movie partnered with were chosen by Breier\u2019s team and the filmmakers as part of building excitement for what they\u2019re hoping will be the \u201cmovie-going event of the season.\u201d<\/p>\n\n\n\n<p>\u201cIf you look at our spots, and there\u2019s a lot of them and a ton of content, we\u2019re not using a lot of footage from the movie,\u201d Breier said. \u201cWe\u2019re not giving the movie away. We are celebrating it.\u201d<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What would Miranda Priestly say about being associated with a pair of drug store nail clippers? Ahead of the release of&nbsp;\u201cThe Devil Wears Prada 2,\u201d&nbsp;grooming company Tweezerman launched a limited-edition collection of tweezers, nail clippers and nail files in a licensing partnership with the film to promote the hotly anticipated sequel. Miranda, who embodies what&#8230;<\/p>\n","protected":false},"author":1,"featured_media":38,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-37","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"_links":{"self":[{"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37"}],"version-history":[{"count":1,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/posts\/37\/revisions"}],"predecessor-version":[{"id":39,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/posts\/37\/revisions\/39"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=\/wp\/v2\/media\/38"}],"wp:attachment":[{"href":"https:\/\/aljaazeera.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aljaazeera.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}